Production Details / Press Releases
ON 1 MAY 1968, 150 students and artists occupied a university building in Paris. This was the starting point for May 68, the legendary Parisian revolt in which students, workers and artists took the streets in a fight against the establishment. Rather than having a clear goal, the revolutionaries wanted to create a state of emergency in which tradition could be overturned. Fifty years later, the feeling of emergency has become omnipresent. We are in an eternal state of emergency. We constantly receive breaking news, informing us of crises that are happening all over the world and about the dire situation in which we are all together (global warming, pollution of the seas…). This feeling of emergency and precarity also marks our personal lives. We surf from project to project taking on different roles at the same time… All this without a sustainable context or clear back up. Are we, today, all becoming emergency artists, balancing on a cord without a safety net, always at risk of falling?
In The emergency artist: Five studies for the Emergency Clément Layes and a team of collaborators explore the constant state of emergency. Not simply to critique the contemporary situation, but rather to speculate on the possibility of a different relation to emergency; a relation that is not marked by immobility, fear and insecurity, but is able to turn the moment of falling/failing into a moment of creation.
STUDY #1 Under the pavement, the beach Upon entering the theatre the audience is confronted with the tortuous parcours of a maze. This detour brings about a state of inefficiency that allows for the experience of a different relation to space and time.
STUDY #2 My thoughts have been replaced by moving images The second study, combines three short video’s that all deal with the heritage of May 68. In these films Layes revisits the texts that where tagged on the walls during the revolution and explores how these slogans resonate with our contemporary society.
STUDY #3 Study for the emergency artist – part 1 Three performers are searching for the moment that comes before the fall, the split second during which we have to recalibrate our whole world. Here, we can no longer hold on to the projected future and have to feverishly start looking for new ways to relate to the changed situation.
STUDY #4 Study for the emergency artist – part 2 In the fourth study, we encounter the same performers doing the same actions. Only, now, they have become part of a larger group and are confronted with an overflow of information and input. This situation pushes them into a state of emergency, as they constantly have to deal with imbalance and disparity.
STUDY #5 Emergency exit
[Source: play bill]
TFB Nr. 1257
Cast & Credits
CONCEPT, CHOREOGRAPHY: Clément Layes
PERFORMANCE: Jonas Maria Droste, Dina Ekštjn, Steven Koglin, Florencia Martina, Ante Pavic, Ana Vnučec
SOUNDDESIGN: Steven Heather
LIGHTDESIGN: Ruth Waldeyer
STAGEDESIGN: Jonas Maria Droste, Clément Layes
COSTUMEDESIGN STUDY 3: Ana Savić-Gecan
COSTUMEDESIGN ASSISTANCESTUDY 3: Ozana Gabriel
COSTUMEDESIGN STUDY 4: Malena Modéer
VIDEO: Christopher Hewitt
ARTISTIC COORPORATION: Jasna L. Vinovrški
DRAMATURGY: Jonas Rutgeerts
INTERNATIONAL COMMUNICATION: Inge Koks PR
PRODUCTION: björn & björn
A production by Public in Private / Clément Layes in coproduction with Studio za suvremeni ples / Studio – Contemporary Dance Company Zagreb.
Funded by the Senatsverwaltung für Kultur und Europa.
With friendly support of Flutgraben e.V. und SOPHIENSÆLE.
Clément Layes / Trailers and Video Documentations
- Clément Layes: Ich bin Tscheud (2021)
- Clément Layes: ONON (2019)
- Clément Layes: The Emergency Artist (2018)
- Clément Layes: THE ETERNAL RETURN (2017)
- Clément Layes: TITLE (2015)
- Clément Layes: Dreamed Apparatus (2014)
- Clément Layes: Things that surround us (2012)
- Clément Layes: Der grüne Stuhl (2012)
- Clément Layes: To Allege (2011)
- Clément Layes: Allege (2010)
Public in Private / Trailers and Video Documentations
- Public in Private: Interview / Portrait Public in Private (2017)
- Public in Private: Living Room (2021)
- Public in Private: Ich bin Tscheud (2021)
- Public in Private: Healers (2020)
- Public in Private: ONON (2019)
- Public in Private: The Emergency Artist (2018)
- Public in Private: THE ETERNAL RETURN (2017)
- Public in Private: TITLE (2015)
- Public in Private: Modal Verbs – I must, I should, I may, I can, I will and I want (2015)
- Public in Private: Dreamed Apparatus (2014)
- Public in Private: Things that surround us (2012)
- Public in Private: Der grüne Stuhl (2012)
- Public in Private: To Allege (2011)
- Public in Private: Allege (2010)
Instant Feedback Reviews
- Elisabeth Nehring: D.R.A.G. / WILHELM GROENER (18.10.2018)
- Frank Schmid: Hopeless / Sergiu Matis (11.02.2019)
- Elisabeth Nehring: Warrior / Anne-Mareike Hess (15.02.2019)
- Frank Schmid: Er… Sie… und andere Geschichten / laborgras (22.02.2019)
- Elisabeth Nehring: slave to the rhythm / Hermann Heisig (13.04.2019)
- Frank Schmid: volto umano / cie. toula limnaios (06.06.2019)
- Elisabeth Nehring: SPEAKING VOLUMES / Mirjam Sögner (14.06.2019)
- Frank Schmid: GLORY / Jeremy Wade (21.06.2019)
- Elisabeth Nehring: The Reversed Alchemist: Figure 1-3 / Ixchel Mendoza Hernández (21.07.2019)
- Frank Schmid: Say My Name, Say My Name / Olivia Hyunsin Kim, Ddanddarakim (13.09.2019)
- Elisabeth Nehring: Die Architektur einer Linie / Riki von Falken (20.09.2019)
- Frank Schmid: Soft Things / Rose Beermann, Iva Sveshtarova (11.10.2019)
- Frank Schmid: Platz nehmen / Antje Pfundtner in Gesellschaft (23.11.2019)
- Frank Schmid: Borders & Corners / Grupo Oito (10.01.2020)
- Elisabeth Nehring: Flush / Sheena McGrandles (07.02.2020)
- Elisabeth Nehring: The End of the Road / (15.02.2020)
- Elisabeth Nehring: Les Imprédictibles / Corbusier, Felix M. Ott (21.02.2020)