There is fear in threats or in extreme situations. Fear is a healthy protection mechanism. It signals danger and triggers reactions: confusion, speechlessness, panic, aggression, flight. The body reaches its limits, a state of excitement.
How is anxiety moving?

“RUNNING” is the opening scene from the final solo “Tümay Horror Show – Part 1”, which premiered at SNDO Amsterdam in February 2010. The movement material is taken from various horror films: “Do you like scary movies?” (Scream, John Carpenter, 1996). “There’s nothing to be afraid of. It’s painless. It’s good. “(Invasion of the Body Snatchers, Don Siegal, 1956). “Perfect organism. Its structural perfection is matched by its hostility. “(Alien 1, Ridley Scott, 1979). “I turned the inside out. It can not deal with flesh. “(The Fly, David Cronenberg, 1986). “Look! It’s moving. It’s alive. It’s alive … IT’S ALIVE! “(Frankenstein, James Whale, 1931). “I left them. And I ran, and I ran, and I ran! “(Ben, Phil Karlson). “They’re heeeeere!” (Poltergeist, Tobe Hooper, 1982).

In 2010, Tümay Kilinçel completed the pilot study course “Contemporary Dance, Context, Choreography” at the TanzUniversitätung Tanz Berlin and has been working as a freelance performer and choreographer since then. As part of her studies, she has worked on various projects and realized her own work. Before that, she was a dance performer in Ives Thuwis’ company at the Forum Freies Theater Düsseldorf. The work “computerized movement” was created together with her colleagues at the Künstlerhaus Mousonturm Frankfurt am Main.

Bei Bedrohungen oder in Extremsituationen entsteht Furcht. Angst ist ein gesunder Schutzmechanismus. Sie signalisiert Gefahr und löst Reaktionen aus: Verwirrung, Sprachlosigkeit, Panik, Aggression, Flucht. Der Körper gelangt an seine Grenzen, einen Zustand der Erregung.
Wie bewegt sich Angst?

„rennen“ ist die Eröffnungsszene aus dem Abschluss-Solo „Tümay Horror Show – Part 1”, das im Februar 2010 am SNDO Amsterdam Premiere hatte. Das Bewegungsmaterial ist diversen Horrorfilmen entnommen: „Do you like scary movies?” (Scream, John Carpenter, 1996). „There’s nothing to be afraid of. It’s painless. It’s good.” (Invasion of the Body Snatchers, Don Siegal, 1956). „Perfect organism. Its structural perfection is matched only by its hostility.” (Alien 1, Ridley Scott, 1979). „I turned the inside out. It can’t deal with flesh.” (The Fly, David Cronenberg, 1986). „Look! It’s moving. It’s alive. It’s alive…IT’S ALIVE!” (Frankenstein, James Whale, 1931). „I left them. And I ran, and I ran, and I ran!” (Ben, Phil Karlson). „They’re heeeeere!” (Poltergeist, Tobe Hooper, 1982).

Tümay Kılınçel hat 2010 den Pilotstudiengang Zeitgenössischer Tanz, Kontext, Choreografie am Hochschulübergreifenden Zentrum Tanz Berlin abgeschlossen und arbeitet seitdem als freischaffende Performerin und Choreografin. Im Rahmen ihres Studiums hat sie an diversen Projekten mitgewirkt und eigene Arbeiten realisiert. Davor war sie Tanzperformerin in Ives Thuwis’ Kompanie am Forum Freies Theater Düsseldorf. Die Arbeit „computerised movement“ entstand zusammen mit ihren KollegInnen am Künstlerhaus Mousonturm Frankfurt am Main.