Sophiensæle
The Sophiensæle was founded in 1996 by Sasha Waltz and Jochen Sandig, along with Jo Fabian und Dirk Cieslak (Lubricat), in the former building of the craftsman’s association of Sophienstraße 18. From 2000 to 2007 Amelie Deuflhard took over as artistic director of the theatre, followed (until 2010) by Heike Albrecht. Since 2011 the artistic director of Sophiensæle is Franziska Werner.
Today, the Sophiensæle is one of the most important locations for German-speaking independent art-production. Artists from Berlin, as well as the national and international theatre-scene are invited to produce and present their works here. They are selected on the basis of their artistic concepts, contents, and working schemes.
The Sophiensæle is home to cultural discourse and a vast mix of artistic genres – from theatre, dance and music, to performance and visual art – which complement each other and enjoy a productive dialogue. Alongside many young artists such as Rose Beermann, Henrike Iglesias, Lwowski/Kronfoth Musiktheaterkollektiv, Markus&Markus, Lea Moro or Quast&Knoblich, searching for new theatrical languages and forms of expression, a number of established artists and companies have longstanding partnerships with the Sophiensæle. These include choreographers such as Clément Layes, Lea Martini, Sebastian Matthias, Martin Nachbar, Jochen Roller, Naoko Tanaka and Christoph Winkler and directors such as Thorsten Lensing, Johannes Müller + Philine Rinnert or Milo Rau/IIPM, and among others performance groups such as Burmester + Feigl, Lovefuckers, Monster Truck, Schmidli + Haug, Social Muscle Club and Turbo Pascal.
The Sophiensæle belongs to a network of internationally oriented, independent theatres. Other members include Kampnagel Hamburg, Mousonturm Frankfurt/Main, FFT Düsseldorf, Theaterhaus Gessnerallee Zürich and brut Wien. Among others, the Sophiensæle are producer of Tanztage Berlin and Freischwimmer festival. Beyond that, a number of renowned festivals of Berlin take place here, amng others MaerzMusik and Tanz im August. Here is a place devoted to artists as much as the audience, where the face-to-face encounter between these groups is the essential goal.
The Sophiensæle’s architecture, walls and ceilings still reflect the site’s turbulent history and initial designation as a place for assembly, craftsman training and banquet. This special atmosphere creates unique conditions for artistic production and creative encounter. Through selected renovations in 2011, the work environment and convenience for artists and the audience have been considerably improved, while the traces of history within the building have been carefully preserved.
A MOTIVATOR AND PROMOTER The promotion of young artists and innovative artistic forms of expression and content continues to be the main focus of our work. We support and encourage new impulses and concepts and strive to deepen already-existing partnerships in order to guide artists in their development. Through a network of artists, cultural stakeholders, and art locations of many genres we are able to further establish the Sophiensæle as a major player in the free theatre scene and a platform for current trends in the independent dance-, music-, theatre-, and performance scene of Berlin.
We continue the building’s tradition as a space for assembly. With a welcoming and open-minded spirit, the Sophiensaele promotes a broad examination of contemporary artistic content, aesthetic and positions and seeks a strong connection with artists as well as the audience. We invite artists to tie in their networks with their projects at the Sophiensæle, to communicate with other artists who work with us, and to see the Sophiensæle not only as a place to showcase their works, but also a place that they themselves can shape and develop with us.
CUTTING POINT Working artistically means reflecting on one’s surroundings. In 1996 the Sophiensæle was born out of the spirit of a group of artists who sought an innovative center and professional infrastructure for independent theatre production. Our work ties in with this founding spirit – the Sophiensæle understands itself as a voice for independent theatre production in Berlin and supports the establishment of Berlin’s independent theatre scene both nationally and internationally. Similar efforts to further the projects of independent theatre groups have gained publicity and significance through the work of the Sophiensæle.
FORMATS + FESTIVALS The development of innovative forms of expression, series, and festivals plays a large role at the Sophiensæle. The Tanztage Berlin and Freischwimmer festivals, in particular, are central in the promotion of emerging young artists. In addition to that, we experiment with many more new forms of expression, festivals and series.
[Source: www.sophiensaele.de]
Current Performances
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2024-10-24, 19:00
Ssassin’s Creed (Lady says Stop)
Liina Magnea -
2024-10-25, 19:00
Ssassin’s Creed (Lady says Stop)
Liina Magnea -
2024-10-25, 20:30
Blue Roses
Thibault Lac -
2024-10-26, 19:00
Ssassin’s Creed (Lady says Stop)
Liina Magnea -
2024-10-26, 20:30
Blue Roses
Thibault Lac
Trailers and Video Documentations
- Viktor Szeri: Fatigue (2024)
- Rita Mazza: The Voice (2024)
- Michelle Moura: BOCA COVA (2024)
- Christoph Winkler: Four Non Blondes (Onlinefilm) (2024)
- Christoph Winkler: Four Non Blondes (2024)
- Xenia Koghilaki: KOPANIMA (2024)
- Olivia Hyunsin Kim, ddanddarakim: Baby, I’m Sick Tonight (2024)
- Kareth Schaffer, Construction Company: Bird Dances (2024)
- juan felipe amaya gonzalez, jfag: BRAVURA (2024)
- Rob Fordeyn: ABSOLUTE BEGINNERS (2024)
- Makisig Akin, Anya Cloud, The Love Makers Company: WE ARE (NOTHING) EVERYTHING (2024)
- Camila Malenchini: THE FAUN (2024)
- Colectivo Malasangre: Qué Bolero o En Tiempos de Inseguridad Nacional (2024)
- Anh Khoa Trần, Christopher Bullen, Felipe Faria, Púca: BODYRIDE (2024)
- Deva Schubert: GLITCH CHOIR (2024)
- Nasheeka Nedsreal: NUREAL DUST (2024)
- Radouan Mriziga: Libya (2023)
- Ginevra Panzetti, Enrico Ticconi: INSEL (2023)
- Double Much: COILING AGAINST THE SUN (2023)
- Sophie Guisset: VANILLA (2023)
- Ania Nowak: LAY ME LOW (2023)
- Juan Pablo Cámara: MAIN, MAIN, WHO’S THERE? (2023)
- Jeremy Nedd, Impilo Mapantsula: THE ECSTATIC (2023)
- Melanie Jame Wolf, Teresa Vittucci: SHOW BUSINESS (2023)
- Claire Vivianne Sobottke: à mort (2023)
- Jule Flierl: Time out of Joint (2023)
- Olympia Bukkakis: REPLAY (2023)
- Liina Magnea: She’s Constructing the Exit Signs (Hope & Delusion) (2023)
- Bully Fae Collins: SONGS OF THE DOPAMINE CAROUSEL (2023)
- Danilo Andrés: BICHO RARO (2023)
- Slim Soledad: VIBRATIONS, TRANSLATIONS (2023)
- Kévin Bonono: A Sensation of a Truth (2023)
- Rocio Marano: Matria – Motherland (2023)
- Margarida Alfeirão: Lounge (2023)
- Xenia Koghilaki: Bang Bang Bodies (2023)
- Tomi Paasonen: Pas de Q (2022)
- Michelle Moura: Lessons for Cadavers (2022)
- Judith Förster: HORIZON PROBLEMS (2022)
- Lois Alexander: YEYE (2022)
- James Batchelor & Collaborators: Shortcuts to Familiar Places (2022)
- Angela Alves: Tennis (2022)
- Frédérick Gravel: Fear & Greed (2022)
- Kiana Rezvani: Cyber Ghosts (2022)
- Cranky Bodies a/company, Peter Pleyer: Terrestrial Transit – Kick Off (2022)
- Kareth Schaffer, Construction Company: Question of Belief (2022)
- Josephine Findeisen: Working Class Dance Group (2022)
- Christoph Winkler: We are going to Mars (2022)
- Michelle Moura: Overtongue (2022)
- Teresa Vittucci: DOOM (2022)
- Olivia Hyunsin Kim, Ddanddarakim: History has failed us, but… (2022)
- tiran: blackmilk:trompoppies (2022)
- Lulu Obermayer: Death Valley Junction (2022)
- Djibril Sall: evening.haiku (2022)
- Robert Ssempijja: You Judge (2022)
- Rita Mazza: DANDELION II (2022)
- Shiori Tada: A Strategy for the Fragile (2022)
- Layton Lachman, Samuel Hertz: DOOM (2022)
- Ana Lessing Menjibar: Perpetual Archive (2022)
- Juan Pablo Cámara: La Cosa Piel (2022)
- Julia Plawgo: NON-PLAYABLE CHARACTER (2022)
- Nkisi, tiran: (bb) (2022)
- Cassie Augusta Jørgensen: Debris in a Skin-Tight Corset (2022)
- Clémentine M. Songe, Public in Private: Living Room (2021)
- Olivia Hyunsin Kim, Ddanddarakim: Like Daughter, Like Mother (2021)
- Sheena McGrandles: DAWN: a musical on reproduction (2021)
- Thiago Granato: The Sound They Make When No One Listens (2021)
- James Batchelor & Collaborators: An Evening-length Performance (2021)
- Isabelle Schad, Naïma Ferré, Jasmin İhraç: TURNING SOLO 2 (2021)
- Isabelle Schad, Claudia Tomasi: ROTATIONS (2021)
- Isabelle Schad, Aya Toraiwa: FUR (2021)
- Irena Z. Tomažin, Jule Flierl: U.F.O. (2021)
- Olympia Bukkakis: Too Much (2021)
- Christoph Winkler: It’s all forgotten now – A performative Mixtape for Mark Fisher (2020)
- Christoph Winkler: It’s all forgotten now – A performative Mixtape for Mark Fisher (Onlinefilm) (2020)
- Teresa Vittucci, Michael Turinsky, Claire Vivianne Sobottke: We Bodies (2020)
- Olympia Bukkakis: A Touch of the Other (2020)
- Rike Flämig, Zwoisy Mears-Clarke, Anna Hentschel: POSTOST 2O9O (2020)
- Florentina Holzinger: TANZ (2020)
- Eva Meyer-Keller: LIVING MATTERS (2020)
- Cécile Bally: The End of the Road (2020)
- Sheena McGrandles: Flush (2020)
- Instant Feedback / Sheena McGrandles: Flush (2020)
- Areli Moran: La Postal de nuestra Existencia (2020)
- House of Living Colors: Endangered Species (2020)
- Maque Pereyra: Solar Threshold (2020)
- Amirhossein Mashaherifard: Aftermath (2020)
- Suvi Kemppainen, Josefine Mühle: A Child Has Been Beaten (2020)
- JUCK: JUCK (2020)
- KALI BILLI PRODUCTIONS: An Evening of Lavani (2020)
- Caner Teker: Kırkpınar (2020)
- Frida Giulia Franceschini: Tricks for Gold (T4$) (2020)
- Sasha Amaya: Sarabande (2020)
- Lois Alexander: Neptune (2020)
- Laurie Young, Justine A. Chambers: One hundred more (2019)
- Clément Layes, Public in Private: ONON (2019)
- Catalina Fernández, Juliana Piquero, Alex Viteri: FAN DE ELLAS (2019)
- Saša Asentić & Collaborators: Tanz in der DDR: Was bleibt? (2019)
- Jule Flierl, Mars Dietz: WISMUT – A NUCLEAR CHOIR (2019)
- Joana Tischkau: BEING PINK AIN’T EASY (2019)
- Jee-Ae Lim: Mountain, Tree, Cloud and Tiger (2019)
- Hermann Heisig: Singing Machine (2019)
- Fleischlin / Meser: This Is Me* (2019)
- Olivia Hyunsin Kim, Ddanddarakim: Say My Name, Say My Name (2019)
- Instant Feedback / Olivia Hyunsin Kim, Ddanddarakim: Say My Name, Say My Name (2019)
- Deborah Hay: Fire (2019)
- Deborah Hay: The Man Who Grew Common in Wisdom (2019)
- Jeremy Wade: GLORY (2019)
- Instant Feedback / Jeremy Wade: GLORY (2019)
- Mirjam Sögner: SPEAKING VOLUMES (2019)
- Instant Feedback / Mirjam Sögner: SPEAKING VOLUMES (2019)
- Hermann Heisig: slave to the rhythm (2019)
- Instant Feedback / Hermann Heisig: slave to the rhythm (2019)
- Kornblum-Rettenmund: QUEST (2019)
- Gabi dan Droste, Martin Nachbar: Zusammen Bauen (2019)
- Angela Alves: SOFT OFFER (2019)
- Olympia Bukkakis: GENDER EUPHORIA (2019)
- Perel: PAIN THRESHOLD (2019)
- Forough Fami: NOSTALGIA IN REVERSE (2019)
- Julia Rodríguez: BY THE TIME YOU SEE THIS IT’LL BE GONE (2019)
- Anjal Chande, The Soham Dance Project: THIS IS HOW I FEEL TODAY (2019)
- Léonard Engel: PAVANE (2019)
- Tchivett: HOLLOW MATTERS (2019)
- Nagham Salah Othman: (I – THEM) (2019)
- Shaymaa Shoukry: WALKING… (2019)
- Mirjam Gurtner: SKINNED (2019)
- Nina Burkhardt: THE IDEA OF SATISFACTION (2019)
- Annegret Schalke: SEPIA (2019)
- Christoph Winkler: Speak Boldly – The Julius Eastman Dance Project (2018)
- Jen Rosenblit: I’m Gonna Need Another One (2018)
- Cécile Bally: The Price is Right (2018)
- Clément Layes, Public in Private: The Emergency Artist (2018)
- Instant Feedback / Clément Layes, Public in Private: The Emergency Artist (2018)
- K.A.U.&Wdowik: Return of a Goddess (2018)
- Nick Power: Between Tiny Cities (2018)
- Nora Chipaumire: portrait of myself as my father (2018)
- Anja Müller: Three Cheers to Existence (2018)
- Jule Flierl: Störlaut (2018)
- Martin Hansen: If It’s All In My Veins (2018)
- Olivia Hyunsin Kim: MISS YELLOW AND ME – I WANNA BE A MUSICAL (2018)
- Jee-Ae Lim: YOUR EAST, MY GHOST (2018)
- Kareth Schaffer: CASSANDRA HAS TURNED 2 (2018)
- Eva Meyer-Keller: Some Significance (2018)
- Ana Laura Lozza, Bárbara Hang: Arcadia (2018)
- Youness Atbane, Youness Aboulakoul: The Architects (2018)
- Reza Mirabi, Roland Walter: Immersive Mediation (2018)
- Xenia Taniko: Not Your Man (2018)
- Emmilou Rößling: Cascade (2018)
- Mey Seifan, Tanween Company: Zerstörung für Anfänger – Reloaded (2018)
- Asaf Aharonson: What’s to Come (2018)
- Evangelia Kolyra: 10,000 LITRES (2018)
- Katerina Andreou: A KIND OF FIERCE (2018)
- Sara Mikolai: SAKHI 03.04 (2018)
- Przemek Kaminski, Mateusz Szymanówka, Marta Ziólek: So Emotional (2018)
- Joy Alpuerto Ritter: Alter Egos (2018)
- Helen Schröder, Die Neue Kompanie: Der Tanzatlas (2018)
- Siegmar Zacharias: Slime Dynamics (2017)
- Peter Pleyer: Cranky Bodies Dance Reset (2017)
- Roderick George: FLESHLESS BEAST (2017)
- Clément Layes, Public in Private: THE ETERNAL RETURN (2017)
- Florentina Holzinger, Frascati Producties: Recovery (2017)
- K&C Kekäläinen & Company: Hafed Collage of Differences and Fragility (2017)
- Rosalind Goldberg, Sandra Lolax, Stina Nyberg: Immunsystemet (2017)
- Doris Uhlich, Michael Turinsky: Ravemachine (2017)
- Dasniya Sommer, Silke Schönfleisch: Bondage Duell (2017)
- Rike Flämig, Zwoisy Mears-Clarke: FLEISCHSALAT (2017)
- Hermann Heisig, May Zarhy: NEXT TO NEAR (2017)
- Claire Vivianne Sobottke: STRANGE SONGS (2016)
- Cécile Bally: THE SLEEP OF REASON (2017)
- Mab Cardoso: NOW***FOR REAL (2017)
- Niloufar Shahisavandi, Solmaz Sajadieh: LA TERRE DE L’AUTRE (2017)
- Akiles: THE PARALLEL SIDE OF THE ROAD (2017)
- Frantics Dance Company: LAST (2017)
- Miriam Kongstad: WORKER’S CHOICE (2017)
- Keyon Gaskin: It’s Not a Thing (2017)
- Anna Aristarkhova: OBNIMASHKI (2017)
- Philipp Enders: THE INTERWOVEN WE SINGS SILENTLY (2017)
- Juliana Piquero: UNDEFINED TROPICAL (2017)
- Zeina Hanna: LOVE AND REVENGE (2017)
- Magda Korsinsky: STRICKEN (2017)
- Elpida Orfanidou: THE RECIPE (2017)
- Tarren Johnson, Mira O'Brien: SHADE (2017)
- Marquet K. Lee: (…) (2017)
- Maria Walser: WHAT A THOUGHT IS NOT (2017)
- Martin Nachbar: THIS THING I AM (2016)
- Christoph Winkler: Five Studies on Post-Colonialism – Study 5: The Lion and The Dragon (2016)
- Christoph Winkler: Five Studies on Post-Colonialism – Study 4: Dancing Like a White Guy (2016)
- Christoph Winkler: Five Studies on Post-Colonialism – Study 3: Persisches Haar (2016)
- Christoph Winkler: Five Studies on Post-Colonialism – Study 2: Seeing Alvin Ailey (2016)
- Christoph Winkler: Five Studies on Post-Colonialism – Study 1: Can Asians Dance? (2016)
- Rose Beermann: MY BODY IS THE FIELD FOR TOMORROW’S BATTLES (2016)
- Martin Hansen: BASTARDS (2016)
- Isabelle Schad: SOLO FÜR LEA (2016)
- Rodrigo Garcia Alves: ROOTS BLOODY ROOTS – WITCH DANCE PROJECT – Ein TANZFONDS ERBE Projekt (2016)
- Danya Hammoud: O.T. – WITCH DANCE PROJECT – Ein TANZFONDS ERBE Projekt (2016)
- Melati Suryodarmo: YOUR OTHERNESS – I’VE NEVER BEEN SO EAST WITCH DANCE PROJECT – Ein TANZFONDS ERBE Projekt (2016)
- Melanie Jame Wolf: NATURE / NATURE / I AM YOUR BRIDE / TAKE ME // – WITCH DANCE PROJECT – Ein TANZFONDS ERBE Projekt (2016)
- Joy Alpuerto Ritter: BABAE – WITCH DANCE PROJECT – Ein TANZFONDS ERBE Projekt (2016)
- Nadia Beugré, Manou Gallo: O.T. – WITCH DANCE PROJECT – Ein TANZFONDS ERBE Projekt (2016)
- Jahra 'Rager' Wasasala: BLOO/D/RUNK – WITCH DANCE PROJECT – Ein TANZFONDS ERBE Projekt (2016)
- Darlane Litaay: RIDER – WITCH DANCE PROJECT – Ein TANZFONDS ERBE Projekt (2016)
- Dana Michel: PALNA EASY FRANCIS – WITCH DANCE PROJECT – Ein TANZFONDS ERBE Projekt (2016)
- Claire Vivianne Sobottke: IN THE WOODS – WITCH DANCE PROJECT – Ein TANZFONDS ERBE Projekt (2016)
- Sebastian Matthias: x / groove space (2016)
- Lea Moro: THE END OF THE ALPHABET (2016)
- Lea Martini: TANZPLAGE BERLIN (2016)
- Tian Rotteveel: HEARTCORE (2016)
- Martin Nachbar, Jeroen Peeters: DER CHOREOTURG (2016)
- Rodrigo Garcia Alves: STUDIO DISORDER’S LA MAISON BAROQUE (2016)
- Karol Tyminski: THIS IS A MUSICAL (2016)
- Tümay Kılınçel, Nuray Demir: ARCHIV-ARBEIT VIII (2016)
- Rike Flämig, Zwoisy Mears-Clarke: IDIOSYNCRASIES (2016)
- Rocio Marano, Lea Kieffer: LOS NINJAS – MATTER OF BLOOD (2016)
- Jule Flierl: A SOUND HAS NO LEGS TO STAND ON (2016)
- Sara Mikolai: ARCHIV-ARBEIT VII (2016)
- Mirjam Sögner: THE DANCER OF THE FUTURE (2016)
- Kareth Schaffer: AN ANIMAL WENT OUT (2016)
- Ania Nowak: OFFERING WHAT WE DON’T HAVE TO THOSE WHO DON’T WANT IT (2016)
- Olivia Hyunsin Kim: SHE CAME, SHE SAW, SHE SAID: MEME (2016)
- Colectivo AM / Anabella Pareja Robinson: HISTORIAS POSIBLES DEL CUERPO (2) (2016)
- Colectivo AM / Nuria Fragoso + Bárbara Foulkes: NUEVE PUNTO OCHO (2016)
- António Onio, Bráulio Bandeira: SAVANNAH (2016)
- Roderick George: DUST (2016)
- Aline Landreau: VOX (2016)
- Dragana Bulut (aka Kokana Šanić Koka): ARCHIV-ARBEIT VI (2016)
- Laurie Young: KORINNA UND JÖRG (2015)
- Clément Layes, Public in Private: TITLE (2015)
- Christoph Winkler: GOLDEN STARS ON BLUE (2015)
- Paula Rosolen: AEROBICS! − EIN BALLETT IN 3 AKTEN (2015)
- Rose Beermann: THERE IS A BETTER VERSION OF YOU OUT THERE (2015)
- Jochen Roller, Yuki Kihara: THEM AND US (2015)
- Martin Nachbar: UNFINISHING (2015)
- Choy Ka Fai: SoftMachine: Rianto (Indonesia) (2015)
- Choy Ka Fai: SoftMachine: Surjit Nongmeikapam (India) (2015)
- Eisa Jocson: Host (2015)
- Lea Moro: (B)REACHING STILLNESS (2015)
- Margrét Sara Guðjónsdóttir, Angela Schubot: IN THE BLIND SPOT (2015)
- Anna Melnikova: ISAAC AND AHMED, A PEACE PIECE. (2015)
- SXS enterprise / Siegmar Zacharias: THE CLOUD: A COSMO-CHOREOGRAPHY (2015)
- Julian Weber: FORMEN FORMEN (2015)
- Ligia Lewis: SORROW SWAG (2015)
- Cécile Bally: AN ORGANIZATIONAL STUDY, THAT’S MY WORK (2015)
- Alexander Baczynski-Jenkins: FEELING REAL (2015)
- Andriana Seecker, Axel "Micky" Schiffler: MEET ME AS A STRANGER (2015)
- Vincent Riebeek: FLAMING LAMBORGHINI (2015)
- Noha Ramadan: LOS ANGELES (2015)
- Melanie Jame Wolf: MIRA FUCHS (2015)
- Claire Vivianne Sobottke, Tian Rotteveel: GOLDEN GAME (2015)
- Sheena McGrandles, Zinzi Buchanan: STEVE & SAM’S MAN POWER MIX (2015)
- Venuri Perera: TRAITRIOT (2015)
- Martin Hansen, Ania Nowak: A QUEER KIND OF EVIDENCE (2015)
- Aoife McAtamney: SOFTER SWELLS (2015)
- Miriam Horwitz, Anne-Mareike Hess: PALAIS IDÉAL (2015)
- Hermann Heisig: STRTCH (2014)
- Peter Pleyer: VISIBLE UNDERCURRENT (2014)
- Martin Nachbar: THINGAMAJIG – Ein Körperapparat (2014)
- Anja Müller: La Mula – A Beatmusical (2014)
- Peter Pleyer: VISIBLE UNDERCURRENT (KICK OFF) (2014)
- The Loose Collective: The Old Testament According to The Loose Collective (2014)
- Laurie Young: How is Now (2014)
- Alexandra Bachzetsis: The Stages of Staging (2014)
- Margrét Sara Guðjónsdóttir, Angela Schubot: BLIND SPOTTING (2014)
- Christoph Winkler: Abendliche Tänze – Ein TANZFONDS ERBE Projekt (2014)
- Christina Ciupke, Anna Till: undo, redo and repeat – Ein TANZFONDS ERBE Projekt (2014)
- Clément Layes, Public in Private: Dreamed Apparatus (2014)
- Wooguru: BETWEEN (2014)
- Jee-Ae Lim: NEW MONSTER (2014)
- Vincent Bozek: A CHACUN SA MAROTTE (2014)
- Juliana Piquero: surviving_fragment I: everything is possible in this space in between (2014)
- SQUART: SQUART BERLIN (2014)
- Juan Gabriel Harcha: ANGELA LOIJ (2014)
- Lee Meir, Maya Weinberg: IF IT’S FUN (2014)
- Hana Lee Erdman: DIVINE LOVE ELECTRIC (2014)
- Calvin Klein: THE RAPTURE WILL BE TELEVISED V (2014)
- Baska Gwózdz: DESTINY’S CHILD (2014)
- Agata Siniarska: DEATH 24 FRAMES PER SECOND OR DO IT TO ME LIKE IN A REAL MOVIE (2014)
- Korina Kordova: ON THE 8TH BOULEVARD, RIGHT AFTER SINUOUS CURVES (2014)
- Claire Vivianne Sobottke, Tian Rotteveel: GOLDEN GAME (2014)
- Lea Kieffer, Michael Shapira: DRY LOVE (2014)
- Barbara Berti: Aoouuu (2014)
- Jorge De Hoyos: DEPARTING THINGS (2014)
- Ahmed Soura: Au prêt du temps (2014)
- Kareth Schaffer: AS EASY AS 1, 2, 3 (2014)
- Shang-Chi Sun: Uphill (2013)
- Christoph Winkler: RechtsRadikal (2013)
- Hermann Heisig: SLAP/STICK (2013)
- Angela Schubot, Jared Gradinger, Aleesa Cohene: LES PETITES MORTS – all my holes are theirs (2013)
- Clément Layes, Public in Private: Things that surround us (2012)
- Cecilie Ullerup Schmidt, Matthias Meppelink: Schützen – Eine Performance-Trilogie zum Körper an der Waffe (2012)
- Irina Müller: In a Lightscape (2012)
- Antonia Baehr: My Dog is My Piano (2012)
- Naoko Tanaka: Absolute Helligkeit (2012)
- Gintersdorfer / Klaßen: Desistieren (Teil IV) (2012)
- Sebastian Matthias: WALLEN (2012)
- Christoph Winkler: Dance! Copy! Right? (2012)
- Dennis Deter: Frucht und Schrecken (2012)
- Lea Martini, Rodrigo Sobarzo: Paramount Movement (2012)
- Gintersdorfer / Klaßen: Desistieren (Teil III) (2012)
- Gintersdorfer / Klaßen: Desistieren (Teil I + II) (2012)
- Leyla Postalcioglu: roof (2012)
- Martin Nachbar: THE WALK (2012)
- Laurent Chétouane: Hommage an das Zaudern (2012)
- Colette Sadler: I NOT I (2012)
- Rodrigo Sobarzo de Larraechea: The Harvest (2012)
- Anna Nowicka: Fire is raging in your hair (2012)
- Ligia Lewis: Sensation 2 – A Choreography for the Neck (2012)
- Willy Prager: Transformability (2012)
- Magda Korsinsky: Lena ist gerade nicht da (2012)
- Angela Muñoz: NOISE (2012)
- Zinzi Buchanan: HELLO / GOOD BYE (2012)
- Mor Demer: BODY ENTER – SPACE – ENTER BODY – STRETCH TIME – WHY AM I HERE? (2012)
- Bari Kim: PERFORMANCE – 10MIN. LOVE (2012)
- Alicia Grant, Philip McKee: OLD HAG (2012)
- Tom O'Doherty, Kata Kovacs: SILENCES 1 (FEET) (2012)
- Joanna Leśnierowska: Reconstruction (2012)
- Iza Szostak: From culture to nature (2012)
- Tian Rotteveel: Soulsqueezing (2012)
- Katharina Maschenka Horn: Pigeonhole (2012)
- Verena Wilhelm: Fire and Forget (2012)
- Chris Scherer: Virginised (2012)
- Ixchel Mendoza Hernandez: Visual Ghost (2012)
- Louise Ahl: Trance (2012)
- Cecilie Ullerup Schmidt: SCHÜTZEN # 1: READY, AIM (2012)
- Ana Rocha: Fraud by Nature (2012)
- Maria F. Scaroni: Display – An Écriture (féminine) for the Body and Stage (2012)
- Hanna Hegenscheidt: Nicht sowas hier wie mit blauen Bändern (2011)
- Lindy Annis: The Body Archive – The Encyclopedia of Tragic Attitudes, part II: the feminine figures (2011)
- Laurent Chétouane: horizon(s) (2011)
- Isabelle Schad: Musik (Praticable) (2011)
- Christoph Winkler: Böse Körper (2011)
- Martin Nachbar: Repeater. Tanzstück mit Vater (2011)
- Yui Kawaguchi, Aki Takase: Chaconne: Die Stadt im Klavier IV (2011)
- NOVOFLOT: WAS WIR FÜHLEN #3 Glück (2011)
- David Brandstätter, Malgven Gerbes: A Preview to Counting (2011)
- Naoko Tanaka: Die Scheinwerferin (2011)
- Rodrigo Sobarzo de Larraechea: Mining (2011)
- Ehud Darash: Headlines (2011)
- Jacob Peter Kovner: Dead Twink / New Outfit (2011)
- Mor Demer, Sandra Wieser: Based on a true story (2011)
- Elpida Orfanidou: Of high importance (2011)
- Jan Burkhardt, Frank Willens: Schweigstück (2011)
- Eva Burghardt: Shut up and love me (2011)
- Antje Velsinger, Markus Popp / Oval: wall / paper / wall (2011)
- Susanne Mayer: Going to… (2011)
- Andrea Jenni, Dominique Richards: Per & Marie (2011)
- Diego Agulló, Dmitry Paranyushkin: TRANSNOMIA (2011)
- Uri Turkenich: material movement (2011)
- Clément Layes, Public in Private: To Allege (2011)
- Laurent Chétouane: Tanzstück #4: leben wollen (zusammen) (2010)
- Christoph Winkler: Taking Steps (2010)
- post theater: Fish-Tales (2010)
- Michael Laub / Remote Control Productions: Death, Dance and Some Talk (2010)
- Joanna Dudley, Schneider™: LOUIS & BEBE (2009)
- Hermann Heisig: Themselves already Hop! (2010)
- Jana Unmüßig: HAUS (2010)
- Laura Kalauz, Martin Schick: Title (2010)
- Kotomi Nishiwaki: OFF, OFF, ON!! (2010)
- Stina Nyberg: At Once (2010)
- Marcela Donato: At Once (2010)
- Frédéric de Carlo, Odile Seitz: The Partners (Praticable) (2010)
- Rosalind Goldberg: Suites with Rosalind Goldberg (2010)
- Sonia Delbost-Henry, Lea Helmstädter: Im Park (2010)
- Clément Layes, Public in Private: Allege (2010)
- Fleischlin / Meser: come on baby let’s go (2010)
- Johanna Chemnitz, Sonja Pregrad: Dishevelled (2010)
- Stina Nyberg: A white rhythm section (2010)
- Christoph Winkler: A Taste of Ra (2009)
- Frédéric Gies: Album (Praticable) (2009)
- deufert&plischke: Anarchiv #1: I am not a zombie (2009)
- Christina Ciupke, Lucy Cash: Die andere Seite (2009)
- Martin Nachbar, Martine Pisani, Martine Pisani: one shared object PROFIT AND LOSS (2009)
- Gintersdorfer / Klaßen: Logobi 03 (2009)
- Jochen Roller, Saar Magal: Basically I don’t but actually I do. (2009)
- Christoph Winkler: Saal A (2009)
- White Horse: Trip (2009)
- Angela Schubot: replugged (2009)
- Hyoung-Min Kim, Lena Meierkord: District (2009)
- Gintersdorfer / Klaßen: Logobi (2009)
- Frédéric Gies: Dance (Praticable) (2008)
- Caroline Meyer Picard: Ibeji (2008)