The collaborative project known as Artificial Archeology, masterfully crafted by Lucas Kuzma, a visionary creative technologist and electronic music composer, and Christine Bonansea, a captivating choreographer, performer, and dramaturg, unveils a mesmerizing composition that delves into the very fabric of time. Drawing inspiration from the realm of archaeology, they ingeniously manipulate the principles of supersymmetries and metrics to bestow upon us a transformed perception and experiential voyage through the vast dimensions of space-time.

Kuzma artfully employs LiDAR scans to meticulously fashion a series of urban spaces, thereby weaving intricate maps of a particular geographic expanse. In this correlative system, space harmoniously assimilates the essence of a potential past, simultaneously giving life to visionary transformations ft he future, and divulging a perpetually shifting present—an ethereal realm akin to a suspended, indefinite parallel time.

As we navigate the labyrinthine recesses of Artificial Archéology, we become participants in an all-encompassing discourse, one that grapples with the enigmatic relationship between time and space. The piece ushers us into a realm where temporal boundaries dissolve, and the artifice of time crumbles before our eyes, exposing the boundless potentialities that lie beyond the physical body.

Christine Bonansea Saulut is the director of CBC (Christine Bonansea Company). Her work inhabits an experimental, interdisciplinary, and collaborative environment. Selected internationally in USA, Japan, Korea, Canada ad Europe, she is supported by the Zellerbach Family Foundation, Foundation for Contemporary Arts, Theater Bay Area, the NYC LMCC, DOCK ART/Berlin funded by the Senate Department for Culture and Europe, the DOCK digital Lab, the JOINT ADVENTURES // NPN and the TakeHeart resumption funded by NEUSTART KULTUR and the program DIS-TANZEN of the Dachverband Tanz Deutschland.
cbcdance.com

[Source: dock11-berlin.de]

TFB Nr. 1812