christoph-winkler.com

At 18, New Zealand hip-hop dancer Aloalii Tapu participated in Royston Maldoon’s Sacre project and subsequently decides to study dance. Then, he discovers Pina Bausch’s “Café Müller” and focuses his training on contemporary dance. Coming from a Polynesian background, these life choices surprised his friends: “You are dancing like a white guy” they said, when they met again at their favorite hang-out, the Urban Soul Café in Auckland. Meanwhile, Lii has a degree in dance and is traveling down his own artistic path.

The piece therefore begins in Pina Bausch’s “Café Müller” – only to rewrite it into a place, in which the real and the fictive mix and merge: the Urban Soul Café. A stage for the dancer Aloalii Tapu to tell his own coming-of-age story. Where he deals with the work of people, who inspired him – such as Pina Bausch, Yvonne Rainer or Steve Paxton – in order to question them from a non-European, non-white perspective. But also without inhibitions of mixing in his own (pop)cultural influences – Taylor Swift, Justin Bieber and not to forget: rugby. For in the end, gazing up at the lofty heights of dance history is much like looking at a menu – the mere variety is confusing enough. But while there is always someone to advise you on what to order at the café – “ask staff for more variety” – a young dancer must learn to make his own choices.